Symbolism of the Tawaf at Kaabah


Image result for makkah tawaf 2017“The tawaf simulates the angels that circumambulate around the divine throne. Angels are immaterial beings that feed on the reality of four truths and having and carrying such realities, they possess their respective angelic duties both in this realm and the Hereafter.

Those four truths are:
1. Subhanallah (Allah is free from all deficiences)
2. Alhamdulillah (All praises are His)
3. La ilaaha illallah (There is no deity but Him)
4. Allahu Akbar (God is Great)

These four are the four pillars of the celestial manifestation of the Kabah (bayt al-ma’mur) and that’s what the Kabahs four sides represent. Once we incorporate these truths within us after attaining to the state of ihraam, spiritual life will be granted to us. By whom? By Allah through archangel Mikaa’eel. And that’s why in traditions we read that Bayt al-Ma’mur is Mikaa’eel.

Once this life is granted, now one can understand certain narrations that speak of the circumambulating pilgrims having the (angelic) power to seek forgiveness for oneself and for others (i.e. anyone you were acquainted with and were in contact with). Think about it. This is no arbitrary forgiveness. One has entered the angelic and celestial sacred framework of cause and effect.”

“In order to reach God (absolute perfection), one must become annihilated in Him and for this to be feasible, one preliminary step is that of eliminating the ego. Attention to one’s self is tantamount to being distanced from Him. To become aware of our unity with God, one must slaughter the ego. The heart is the mirror and locus through which attributes of perfection reflect. However, it needs polishing and refining.


-An excerpt from Dr Farrokh Sekaleshfar’s Lecture “Hajj: The Inner (Batini) Journey”.

Cariacatures of Shia-Sunni Conflict in the West

Islam is being threatened today by a vicious Shia-Sunni divide, or so they say. The Western media is thus deeply invested in covering this strife and consequently in creating caricatures of this conflict. However what is missing from all the discussions about the Shia-Sunni strife is the fact that the  Western world is deeply implicated in the supposed Shia-Sunni conflict that can be seen in the Middle East and the surrounding regions. Among the significant ways that the prevalent stereotypes of the Shia-Sunni conflict are perpetuated is the West are through the visual media representations, some of which are reproduced here in this post. These representations are however also contested by counter-visuals from the Muslim world as can be seen in the visual above.  Continue reading



A longer version of this article by Haroon Moghul was originally published here

Several days ago, before the Saudi government’s execution of prominent Shia religious leader Nimr al-Nimr took tensions between Riyadh and Teheran to a new high, a reader emailed me a deceptively ordinary question. It’s worth a second look, not only because it helps us get past the simple headlines—check out the front page of the New York Times today, suggesting the Iranian-Saudi rivalry is embedded in and involves all Sunni and Shia—but because this reader’s question inadvertently helps us understand why so many in the West and the Muslim world keep talking past each other. Continue reading

The Essence of Ziyarat at Karbala

A personal note by Syeda Batool Ali as a guideline for Ziyarat at Karbala

What takes us there? Why go there at all? Who determines our objective? How and when is that achieved?

In 61 AH a Plea for Help was made from the Plains of Kerbala, ‘Hal min nasirin yansuruna …..’. This  historic Call by the Last Prophet’s grandson Hussain, was sent forth in the most emphatic and urgent tone to humanity at large. Continue reading

” Sultans of Deccan , 1500-1700 – Opulence and Fantasy “

Recently the Metropolitan Museum of Art in New York hosted an exhibition on the Sultans of Deccan, based on a diverse group of Shia dynasties in the subcontinent during the early modern period. The Deccan sultanates were originally part of the  larger Bahmani Sultanate founded in 1347 by the Turkish governer Alauddin Hassan Bahman Shah. About eighteen Deccan Sultans ruled during the nearly 200 years of the sultanate and its but the exhibition only focuses on the period between 1500- 1700. After 1518, the Bahmani kingdom was divided in four sultanates: Barishahi (of Bidar), Qutbshahi (of Golkonda), Adamshahi (of Ahmadnagar), Imadshahi (of Berar) and Adilshahi (of Bijapur), but are collectively known as the Deccan sultanates.

Here is an excerpt from the museum literature about the exhibition

” Opulence and fantasy characterize the art of India’s Deccan courts during the rule of its sultans in the sixteenth and seventeenth centuries. The diamond-rich region attracted artists, poets, writers, and traders from all over the world—including Iran, Turkey, Africa, and Europe—who were drawn to the Shi’a culture and material splendor of the courts. Under their mixed influence, captivating art styles of otherworldly charm evolved. At its zenith, the Deccan became home to Indian and Persian artists, the abode of African elites, and the place where European discoverers embraced new tastes in textiles and gems. By the end of the seventeenth century, the Deccan courts gave way to Mughal domination from the north, but their preceding efflorescence offers a glimpse of the imaginative heights reached in the arts of painting.” Continue reading

Shi’i Symbolism in the Art of Komail Aijazuddin

Komail Aijazuddin is a Pakistani artist, who often explores religious themes and issues of divinity in his work. A graduate of Studio Art and Art History from New York University, he employs a style of painting that is described as ‘cold-war baroque’ and his depictions often times show Shi’i imagery which are informed by his personal background and observations during the Muharram mourning season.
Continue reading

Shi’isms : Misconceptions and Misrepresenations

Recently a friend, a devout Muslim, a highly educated and well-placed professional working on the Wall Street, complained about the ‘incredible’ amount of Muharram related emails and updates that she was receiving through her social media and email. She also wondered aloud why she was receiving these messages and updates because while she was connected with various ‘Islamic’ platforms and organization, she does not subscribe to any ‘Shia’ networks. Before trashing these messages off as spam, because they ‘did not make sense’ to her at all, she then offered to forward some to me because I could better make use of this information as a ‘Shia’ who ‘worshipped these people’.

      Curious to see who the people I supposedly worshipped were, on my request she showed me an email recounting the ‘Trials and Tribulations of Imam Zain-ul-Abideen’.  The hagiographical tone and language as well as the names of the religious personalities or groups like the Ahle-Bayt were all alien to my friend and she reacted with some surprise when told that Imam Zain-ul-Abideen was only the fancy title of the Prophet’s great-grandson, the son of Imam Hussain. More astonishment followed when I specified that the Shias , like all Muslims, ‘worshipped’ only God but upheld the Prophet and his family with great devotion and reverence. When I pointed out to her that Sunni Muslims were also obliged to show veneration for the Prophet’s family or the Ahle-Bayt based on numerous records from Sunni traditions where the Prophet implores all his followers to show devotion to his family, she was simply tongue-tied. Continue reading